I think what I like best about this story is the lack of imagery as the story progresses. Yes, the first paragraph is mostly made up of description, but it becomes less and less until it’s nonexistent unless it’s being said in dialogue. So often, I know I find myself feeling like I have to include mountains of description, but this is a great example of how one can do so without breaking up a story’s flow, or giving to the plot through more of an engaged way rather than telling the reader what is going on.
Elizabeth Tallant, “No One’s A Mystery”
Oct 26th, 2017 by baron17